Bernard Salomon Bibliography Page

A Bernard Salomon Working Bibliography
Compiled by Robert A. Baron
()

This "working" bibliography, contains complete and partial references, annotations and sources for bibliography. It includes items that have been gathered ad hoc, that may eventually never be used. In addition, items listed may be repeated where appropriate.

Contents:
Bernard Salomon: Early References: 16th, 17th, 18th Centuries
Bernard Salomon: References: 19th Century
Bernard Salomon: References: 20th Century
Bernard Salomon: Support Bibliography (not directly Salomon related)
Bernard Salomon' influence
Salomon: Authors / Books & Cycles Bibliography
Issues of Style and other 16th C. Artists related to 16th C. France and Salomon
Dictionaries, Bibliographies, Encyclopedias, Compendia, History surveys, etc.

		Bernard Salomon: Early References: 16th, 17th, 18th Centuries [top]
		--also consult sections devoted to individual works.--
		codes: d=document, x=incomplete ref, r=read, ns=not seen xx=rab own xerox copy, rb=rab own copy

1548	d	[Documents relating to the Triumphal Entry to Lyon of Henri II, 1548] -- see 1927: Guigue, Entry.
1584	d	La Croix du Maine, François Grudé, sieur de (1552-1592?). Premier volvme de la bibliotheqve dv sievr de la Croix-dv Maine, qui est vn catalogue general de toutes sortes d'autheurs, qui ont escrit en françois depuis cinq cents ans & plus, Paris, A. l'Angelier, 1584. (An edition of 1772-73 combines this with the du Verdier.) --rab: any citations to BS here?
1585	d	Du Verdier, Antoine (1544-1600). La Bibliothèque d'Antoine du Verdier. Lyon, du Verdier, 1585. -- Contains chapter on Bernard Salomon --La bibliotheque d'Antoine du Verdier, seigneur de Vauprivas, contenant le catalogue de tous ceux qui ont escrit, ou traduict en françoise, & authr dialectes de ce royaume, ensemble leur oeuvres imprimees & non imprimees, l'argument de la matiere y traictee, quelque bos propos, sentence, doctrine, phrase, proverbe, comparaison, ou autre choses notable tiree d'aucunes d'icelles oeuvres, le lieu, forme, nom, & date, où comment, & de qui elles ont esté mises en lumiere. Aussi y sont contenus les livres dont les autheurs sont incertains, Avec un discours sur les bonne lettres servant de preface. Et à la fin un supplement de l'epitome de la Bibliotheque de Gesner. Lyon, Par Barthelemy Honorat, 1585. [at end: Achevé d'Imprimer le 15. de Decembre 1584 A Lyon par Iean d'Ogerolles -- For Bernard Salomon, see "Bernard Salomon' and "Gueroult, Hymnes."
[n.d. before 1863]	?	Hausmann, M.H. Souvenirs d'un voyage en Suisse par un iconophile. Geneva, Guillaume Fick. [n.d.] -- reference from Didot, Essai, 1863, col. 261: republishes some of Salomon's woodblock designs.
1649		Godefroy, Théodore. Le cérémonial français, Paris 1649. -- mentions landscapes painted by Salomon for Entry of Henri II to Lyon in 1548 and by J. Cousin in 1549 for the Paris Banqueting Hall. (see pp. 837, 875.) (not MMA library 6/11/85)
1655 orig		Marolles, Michel de (1600-1681). Tableaux de temple des Muses. (Collection originale des tableaux les plus interessants des Métamorphoses d'Ovide publiés en 1655 par M. l'abbé de Marolles. Paris, Desnos, 1768. -- plates only w/o Marolles' commentary: UCLA, Sp. Coll. *NE 1715 C685. (UCLA NE 1715 M347 t) -- reference from Brunet III, no. 1443.
1666 & 1672		Marolles, Michel de. (1600 - 1681) Livre des peintres et graveurs. Paris, 1872 (reprint from 1666 ed.) -- reference, Colin Eisler. Jean Duvet, bibliography, p. 356 Marolles, Michel de, abbé de Villeloin (1600-81). Catalogue de livres d'estampes et de figures en taille douce, avec un dénombrement des pieces qui y sont contenuës. Paris, 1666. (MMA 200.3 M34) -- on M.de Marolles: L.R.Metcalf, "A prince of print-collectors: Michel de Marilles" in Fritz Roy Carrington, Prints and their makers...," 1912, p. 33-52. -- reference Blunt. Poussin, Cat. Rais. Bibl #57 (#43). (MMA 200.2 C23)
1666-1688		Félebien, André. Entretiens. 1666-1688 -- ref to Claudine Bouzonnet Stella ?
		Marolles, Michel de. (Abbé de Marolles), [His first Catalogue of the Bibliotheque du Roi], p. 149 says that Bernard Salomon is Jean de Tournes. -- reference is from Papillon, 1766, p. 207.
1673		Spon, Jacob. Recherche des antiquités et curiosités de la ville de Lyon, 1673. -- p. 114 tells of painted façades by Bernard Salomon. On Spon: Jean Guillemain. -- reference from Rondot. BS, 1897, p. 62-63, n.1. -- reference from Audin-Vial, Dictionnaire II, 196. -- reference from Rolle, Doc., 1861, p. 414. -- MMA 560 5p6 (Lyon, T. Amaulry, 1683 (rab: no reference to Salomon, perhaps not same as 1673 ed.).
[later than 1673]		de Bombourg. Tableaux et stat., p. 112 [n.d.] -- Incomplete reference from Audin-Vial, Dictionnaire, II, 196. Refers to miscellaneous works, façade painting and tapestry design by Bernard Salomon. [after 1673] -- also reference from Rolle, Doc., 1861, p. 414.: At St.-Paul, you will see some nice tapestries [from] a drawing by Petit Bernard, ..."
1675		Sandrart, Joachim von (1606-1688). Academie der Bau-, Bild- und Mahlerey-Künste von 1675. Leben der berühmten Maler, Bildhauer und Baumeister. Hrsg. und kommentiert von A.R. Peltzer. München, G. Hirth, 1925. --for Bernard Salomon, see p. 255
1693-1697		Stella, Claudine Bouzonnet. "Testament et inventaire des biens, tableaux, dessins, planches de cuivre, bijoux, etc. de Claudine Bouzonnet Stella rédigé et écrits par elle-même. 1693-1697." ed. Jules Guiffrey, NAAF (Nouvelles Archives de l'art français, recueil de documents inédits publiés par le Société de histoire de l'art français.), 1877, pp. 1 ff. -- reference Blunt. Poussin, Cat. Rais.; Bibl. #107. -- UCLA Art, N 6841 A1N8 (vol 5). -- niece of Jacques Stella, Lyon connections, inventory designates books with figures by petit Bernard. Blunt has Stella references in Poussin catalogue. -- reference: Audin-Vial, Dictionnaire, II, 197.
1699-1700		Lecomte, Florent (d. 1712). Cabinet des singularitez d'architecture, peinture, sculpture et graveur; ou, Introduction à la connoissance des plus beaux arts ... Paris, 1699-1700. 3 vols. (MMA 100 L49) (2nd ed. Brussels, 1702, 3 vols.) -- reference: Papillon 1766, preface p. xvj, p. 207. Papillon says le Comte follows the information on Salomon found in the Abbé de Marolles. Says B.S. is from Flanders and that he had brothers about whom nothing is known, but that they also made woodcuts. -- reference: Blunt. Poussin. Cat. Rais. #119, #119a.
1704		[Orlandi, Pellegrino Antonio], L'Abecedario Pittorico ... [reputed 1st ed: Bologna 1704] -- See 4th ed., 1733, Naples.
1733		[Orlandi, Pellegrino Antonio], L'abecedario Pittorico dall' Autore Ristampato, Corretto, ed. Accresciuto di Molti Professori, E. di altre Notizie Spettanti Alla pittura, Ed in questi ultima Impressione con nuova, e copiosa Aggiunta di alcuni altri Professori. All' illustrissimo signore Cavaliere D..Francesco Solimena. A Spese di Nicolò, e Vincenzo Pipoli, In Napoli [MDCCXXXIII] see 1763 edition.
1750	d	Christ [Johann Friedrich]. Dictionnaire des monogrammes, chiffres, lettres, initiales, logogryphes, rébus etc. sous lesquels les ... peintres, graveurs & dessinateurs ont dessiné leurs nomes; tr. de l'allemand ... & augm. de plusieurs supplémens par M. [Sellius]. Paris, [Jorry] 1750. (see p. 86) (Reprint: Minkoff, Geneva, 1972) -- reference from Paipllon, 1766 (vol. 1, p. 207) -- refers to Bernard Salomon as Salomon Bernard. -- Bernard Salomon appears as: Bernard Klein and Salomon Klein (i.e. le Petit Bernard), MMA 102.8 C46. (rab: consulted 6/11/85) -- reference: Papillon, Traité, p. 206. -- reference Grangette. B. Salomon, 1963, p. 1.
1757		Pernety, Antoine Joseph (1716 - 1801). Dictionnaire portraitif de peinture sculpture et gravure; avec un traité pratique des differentes maniers de Peindre ... Paris, Chez Barche, 1757. (MMA 100.4 P42) (rab: consulted 6/11/85: no reference to Bernard Salomon).
1757		Pernetti, L'abbé. [Pernetty] Recherches pour servir à l'histoire de Lyon. vol. I, 1757, p. 360-361 (In 2 vols., Lyon: Duplain, 1757, 12º) -- reference from Rondot, BS, 1897, p. 62, n. 1. -- contains references to B. Salomon painting façades of houses. -- reference: Audin-Vial, Dictionnaire. -- reference: Didot, Essai, 1863, col. 256, n. 4. -- reference: Rolle, Doc., 1861, p. 414, refers to "frises en camaïeux sur des façdades de maisons...
1763		[Orlandi, Pellegrino Antonio], Abecedario Pittorico Del M.R.P. Pellegrino Antonio Orlandi, Bolognese, Contente Notizia de' Professore di Pittura, Scoltura, ed Architettura in questa a edizione corretto et notabilmente di nuove Notizie Accresciuto. In Napoli, MDCCLXIII [1763]
1766		Papillon, Jean Michel (1698-1776). Traité historiques et practique de la gravure sur bois, Paris, 1766 [Paris, P.G. Simon, imprimeur, 1766] -- reference, Brun, Livre français, p. 47, n. 23. -- index to B.Salomon: vol. I: 201, 206, 227, 228, 234, 254, 349. (UCLA Sp. Coll., ? NE 1030 P19t) (rab: consulted 6/11/85 at MMA) -- reference: Rondot, BS, p. 34, n. 1 -- reference: Rolle, Doc., 1861 -- reference: Grangette. B.Salomon, 1963, p. 1. -- Papillon suggests relation between Salomon and Jean Cousin. This disputed by Rondot, BS, p. 34. Papillon itemizes a long list of attributions to BS.
1768		see 1655: Marolles

1785-1790?		Dibdin, T. F. Preliminary disquisitions, p. xviii of Typographical Antiquities [?] see perhaps: Ames, Joseph, 1689-1759, Typographical antiquities: or an historical account of the origin and progress of printing in Great Britain and Ireland; containing memoirs of our ancient printers, and a register of books printed by them, from the year MCCCCLXXI to the year MDC. Begun by the late Joseph Ames ... Considerably augmented, both in the memoirs and number of books, by William Herbert ... In three volumes ... Published: London, Printed for the editor, 1785-90. -- reference: Didot, Essai, 1863, col 273 refers to an attribution to B. Salomon of illustrations in a 16th C. English Bible which Didot says derives from Hans Holbein designs, not Bernard Salomon.

nd?		Comité des Travaus Historiques et Scientifique: Collection de Documents Inédits sur l'Histoir de France, publiés par les soins du Ministre de l'instruction Publique. [n.d.]?

		Bernard Salomon: References: 19th Century [top]

1807-1808		[Barerel, Jean Pierre (1744-1822)] Notices sur les graveurs qui nous ont laissé des estampes marquée des monogrammes, chiffres, rébus, lettres initiales, etc., avec une description de leurs plus beaux ouvrages et des planches en taille-douce, contenant toutes les marques dont ils se sont servis; suivies d'une table qui en donne explication. Besançon, Impr. de Taulin Dessirier. 1807-08. 2 vols. -- reference from A. Bernard. Tory. p. 336, n.1. Barerel attributes to Bernard Salomon, the Triumph of Petrarch (1545), Résurrection des morts (1547) [apocalypse?], Theatrical scenes (Port. Divers), Hist. de Psyché, Epitome des antiquities of Strada (1553). A.Bernard disagrees, saying 1547 is too early for Salomon, whose works begin in 1550.
1814		Brunet, Jacques Charles, 1780-1867. Manuel du libraire et de l'amateur de livres, contenant 1o. Un nouveau dictionnaire bibliographique ... 2o. Une table en forme de catalogue raisonné ... 2. éd. Paris, Brunet, 1814. (LOC). Continuous editions: 3rd, 1820; 5th, 1850-55; 5th ed., reprint: 1990 by: Slatkine Reprints,Genève 1990. -- Edition consulted: 5th, Berlin, Fraenkel & Cie. Jos. Altmann, 1921 (6 vols. + 3 vols. supp. (UCLA Ref Z 1011 B83 1921)
1817		Dibdin, T[homas] F[rognall], (1776-1847). The bibliographical Decameron; or Ten days pleasant discourse upon illuminated manuscripts and subjects connected with early engraving, typography and bibliography. London, 1817. 3 vols. MMA 993 D541 (2 copies). -- Discusses and praises Bernard Salomon. -- reference: Grangette. B.Salomon, 1963, p. 1. -- reference: Audin-Vial, Dictionnaire, II, 197. -- refer to: O'Dwyer, 1967.
1825	x	Bréghot du Lut. Mélanges, Lyon, 1825, I, 277. -- reference: Rolle. Doc., 1861. p. 413. Cites Salomon's work for the triumph celebrating the peace between Henri II and Philippe II, Lyon, 1559.
1832	d	Brulliot, Franz (1780-1836) Dictionnaire des monogrammes, Marques Figurées, Lettres initiales, noms abrégés, etc. Avec lesquels Les peintres, dessinateurs, graveurs et sculpteuers on désigné leurs noms., Munich, A L'institut Literaire de la Libraire de J.G. Cotta. 1832: Ier partie, no. 1100; 2nd partie, nos. 562, 936 and 2464.-- refers to a supposed monogram for B.Salomon. -- reference from Rolle. Doc., 1861, p. 415, n. 1. (MMA 102.8 B 831) -- reference from Malpré (vol. I. p. 61)
1845		Nagler, G.K., Neues allgemeines Künstler-Lexicon oder Nachrichten von dem Leben und den Werken der Maler... München, Verlag von e.A. Fleischmann. 1845. -- article on Bernard Salomon with list of attributions. Vol. 14, p. 219.
1850		Brunet, Jacques Charles, 1780-1867. Manuel du libraire... 5th ed. See above.
1851-1860		Mariette, Pierre Jean (1694-1774). Abecedario de P.J. Mariette et autres notes inédites de cet amateur sur les arts et les artistes. Ouvrage ... annoté par M.M. Ph. de Chennevières et A. de Montaiglon. Paris, Dumoulin 1851/53 - 1859/60. (Archives de l'art français, t. 2, 4, 6, 8, 10, 12. -- Began as an attempt to correct errors in P.A. Orlandi's Abcedario pittorico (1704) [Chamberlin. 2023, this: 220] -- reference: Papillon, 1766, p. 208. -- refers to Bernard Salomon and Bernardo Gallo. -- reference: Blunt, Poussin, cat. rais. Bibl. #157.
1851		Didot, Ambroise Firmin. Essai sur la typographie, par M. Ambroise Firmin Didot. Extrait du tome XXVI de L'encyclopédie Moderne. Paris, Typographie de Firmin Didot frères, Imprimeurs de L'institut de France, Rue Jacob, 56. 1851 (UCLA Sp. Coll. ? [delta] Z124 D562e) -- See esp. cols. 888 and 892ff on Lyon and Jean de Tournes. (Reissued 1882 under title: "Histoire de la typographie.")
1854	x	Renouvier, J. Des types et des manières des maîtres graveus, Seizieme siècle. 1854. -- reference: Rondot, Peintres, 1888, p. 99, n.4: pp 200-204, speaks of Salomon only as an engraver (meaning a cutter of woodblocks) -- reference: Rondot, BS, 1897, p. 70 .-- reference: Rolle, Doc. 1861, p. 413 -- reference: Didot, Essai, 1863, cols. 257-58? -- reference: Audin-Vial, Dictionnaire, II, p. 197.
1854/ 1988-1890		Le Blanc, Charles (1817-1865). Manuel de l'amateur d'estampes, contenant le dictionnaire des graveurs de toutes les nations dans lequel sont déscrites les estampes rares, précieuses et intéressantes, avec l'indication de leurs différents états et des prix auxquels ces estampes ont été portées dans les ventes publiques, en France et à l'étranger, depuis un siècle, par m. Ch. Le Blanc ... Ouvrage destiné à faire suite au Manuel du libraire et de l'amateur de livres par m. J.-Ch. Brunet ..., Paris, É. Bouillon, 1854/88-90. -- reference: Audin-Vial, Dict. 1918-19, vol. II, p. 196.
1858-1879		Nagler, Georg Kaspar (1801-1866). Die monogrammisten und diejenigen bekannten und unbekannten Kunstler aller schulen... Munchen, G. Franz, 1858-79. 5 vols. [also Linz, D.E.Mareis, 1904-14.] (UCLA Art Library reserve. N 45 N 13 m. -- reference: Thieme-Becker, XXIX, p. 354. On Salomon: vol I.
1861	d	Rolle, M.F., Bernard Salomon (Le Petit Bernard), Peintre et Graveur sur bois: Documents sur la part prise par lui aux travaux de l'entrée à Lyon du cardinal d'Este, sous les ordres du peintre florentin Benedetto dal Bene, et à ceux de l'entrée de Henri II et de Catherine, dont il eut la direction. (1540 - 1548) in Archives de l'art français, Recueil de doc. inédit. 2e sér., I (1861), p. 413-36. -- NYU IFA, Ref. N684[?]A8. -- reference: Thieme-Becker, XXIX, p. 354.
1861		Jackson, John (1801-48) A treatise on wood engraving, historical and practical ... the historical portion by W.A. Chatto; 2nd ed., with a chapter on the artists of the present day by H.G. Bohn[?]. London 1861. (MMA 206 J131)
1861		Duplessis, Georges. Histoire de la gravure en France. Paris, Rapilly, 1861. -- reference: Didot, Essai, 1863, col. 259. Contains a stylistic appreciation of Bernard Salomon, quoted by Didot (above). -- MMA 201.6 D 92.
1863		Didot, Ambroise Firmin. Essai typographique et bibliographique sur l'histoire de la Gravure sur Bois par Ambroise Firmin Didot. Servant d'introduction aux Costumes Anciens et Modernes de César Vecellio. Paris, [Typographie de Firmin Didot Frères & Fils], M. Dccc. LXIII [1863]. -- Bernard Salomon cited: cols. 115, 161, 166, 170, 178, 182, 185, 190, 199, 231, 232, [233-242], 244, 247, 248, 249, [250-253], 254, 255, [256-258], 259, 262, 273, 299.	xx
1864		Anciens bois de l'imprimerie Fick. In-fol. 1864 Genève. --reference: A.Bernard, Tory, p. 334, n.2. Contains many works [i.e. woodblocks] surviving from the de Tournes shop; many by B.Salomon. --see, below Doenna
1865		Bernard, Auguste (1811-1868). Geofroy Tory, peinture et graveur, premier imprimeur royal, réformateur de l'orthographie et de la typographie sous Fran÷cois 1er; par Auguste Bernard. Published: Paris, Librairie Tross, 1865. -- reference: Grangette, B.Salomon, 1963, p. 1 --rab: p.331ff. On Tory and B.Salomon. Attrib some of BS works wrongly to Tory. Also list (p.336) works attrib by Bernard to Salomon. -- refernce: Rondot, BS 1897 notes that A.Bernard refers to Salomon as "Salomon Bernard." -- rab: For Bernard Salomon, see p. 332 ff. and esp. p. 336, n.1
1872 reprint		Marolles, Michel de (1600-1681). Le livre des peintres de graveurs, par Michel de Marolles, abbé de Villeloin. 2. éd. de la Bibliothèque elzévirienne, rev. et. annotée par M. Georges Duplessis. Paris, P. Daffis. 1872. (UCLA Art Library: N 7852 M34 1) -- reference: Papillon, 1766, p. 207, 215.
1872		Didot, Ambroise Firmin (1790-1876). Étude sur Jean Cousin, suivre de notices sur Jean Leclerc et Pierre Woeiriot. Paris, A.F.Didot, 1872. (UCLA Sp. Coll. TR 16.7 D562e)
1876		Fagan, Louis (1845-1903). British Museum, Department of prints and drawing. Handbook, with introd. & notes by L. Fagan, 1876. -- MMA 204.7L84 B77) -- reference: Rondot, BS., 1897, p. 21. Rondot says that Fagan lists Bernard Salomon as Salomon Bernard. -- Grangete. B. Salomon, 1963, p. 1., Fagan, p. 123.
1880-1881		Guilmard, Désiré. Les maîtres ornemanistes... école française, italienne, allemande et des pays-bas..., Paris, Plon, 1880-81. -- Chamberlin, no. 1635. -- reference: Audin-Vial, Dictionnaire, II, p. 197: Refers to Bernard Salomon as Salomon Bernard. (MMA 152 G 94) -- reference: Rondot, BS, p. 21, n.1 -- cites Bernard Salomon as Salomon (Bernard), p. 20, n. 7. vol. 1. (UCLA Art -- Grunewald Coll.)
1882		Didot, Ambroise Firmin. Histoire de la typographie, 1882. (Reissue of Essai sur la typographie... 1851)
1883		le Petit, Jules, "L'Ornementation des Livres A propos de l'exposition rétrospective de l'Union Centraleen 1882," Gazette des Beaux-Arts, 1883 / II, p. 135-156, 230-264. -- reference: Thieme-Becker, xxix, p. 354. -- contains list of attributions to Bernard Salomon.
1883		Rondot, N. Les artistes et les maîtres de métier étrangers ayant travaille à Lyon. 1883 -- reference from Rondot, BS, p. 40, n.1.
1888	x	Rondot, Natalis (1821-1900). Les peintres de Lyon du quatorzième au dix-huitième siècle, Paris, Typ. de Plon, 1888. -- reference: Rondot. BS, 1896. Rondot says he refers to Salomon's family in his earlier book. -- reference: Th-B, XXIX, p. 354
1892		Buisson, F. E. (Ferdinand Edouard) (1841-1932) Sébastien Castellion: sa vie et son oeuvre (1515-1563) : étude sur les origines du protestantisme libéral français, par Ferdinand Buisson. Paris : Hachette, 1892. [Thesis (doctoral)--Faculté des lettres de Paris, 1892.] --reference: Rondot, BS 1897, p. 21, n.1 says that Buisson calls BS "Gentil Bernard."
1895-1899		Steyert, A. Nouvelle histoire de Lyon et des provinces de Lyonnais, Forez, Beaujolais, Franc-Lyonnais et Dombes., Lyon, Bernoux et Cumin, 1895-1899 -- reference: Davis, Natalie Zemon. PhD. Diss. 1959, p. 610. -- reference: Rondot, BS, p. 64. in reference to the attribution of an illuminated initial to Salomon.
1895-1921		Baudrier, H.L. Bibliographie lyonnaise. Sér 1-12. 12 vols. Lyons. 1895-1921 [ I - 1895, II - 1896, III -1897, IV - 1899, V - 1901, VI - 1904, VII - 1908, VIII - 1910, IX - 1912, X - 1913, XI - 1914, XII - 1921] --index references to Bernard Salomon: as follows: II, p. 51, 53: BS relation to Granjon, marriage of BS's daughter and reprod of will of BS; III, p. 170, re Pesnot/Bonhomme eds of Aneau, Picta Poesis (1563-1564); IV, p. 8 Ed of Beauchesne with rejection of attribution to B.S. (see Honorat ed, illus, p. 150, copies after BS [?]), p. 354? Temporal ed of Golden Ass (Brunet attrib to B.S.; V, p. 5 Palaephatus, Gueroult ed of Barbou, H. 1563 illus given to "school" of BS.; VI, p. 306, 1562 Giunta heirs's Josephus using B.Salomon's woodcuts, p. 318, 1566 Giunta heirs' Josephus with Woeriot cuts, p. 330, Guinta heirs' 3rd Josephus, copies BS cuts sold to Honorat in 1578, p. 330, Honorat ed., Fig. du Bib. 1582-1585; VI, p. 139, BS as a witness and referred to as a "painter."; IX, p. 42ff on Rouillé and book illus. Competition between Rouillé and J. de T, to p. 124., p. 162, Entry of Hen II to Lyon, see 164 for Italian ed., p. 168. ed of Marguerites by Rouillé, copies after BS's illus for the de T ed., p. 202, refers to BS/Rouillé Ovid set.[a confusion?]; IX, p. 367, Rouillé, Missel Romanum of Pierre Eskrich recalls that of BS; p. 389, 1583 Missel Romanum Rouillé Crucifixion cut designed by BS. X, p. 105, Arnoullet, Gueroult Corographie w/ BS cuts (p. 106), p. 106 Aesopi Fabulae of Arn. 1554 copies BS series. p. 139 Arnoullet's Gueroult 1553 with reproductions of BS's Tivoli, Lyon. p. 141, Gohori by Arnoullet, 1553 reproduces cuts, p. 144-5 Aesopi Phrygis copies BS cuts (Arnoullet ed.), p. 182bis, illus of Lyon plate again. p. 225 Aneau's Imagination Poetique by Bonhomme taken from BS, given to Eskrich. p. 233, Entry (Bonhomme) de Carpentras, 15 cuts by BS. French ed. & It. ed., p. 245 Bonhomme, L'enfer de cupido includes cuts of BS's Entry to Carpentras. p. 365-6, Strada (Guerin) attrib to BS. XI, p. 272-3 BS mentioned.
1896/1897		Rondot, Natalis. Bernard Salomon, peintre et tailleur d'histoires a Lyon, au XVIe siècle. Lyons, 1897 -- First monograph on B.Salomon. Disputes relation between Salomon and Jean Cousin suggested by Papillon. -- reference: Thieme-Becker, XXIX, p. 354. --rab: Rondot's monograph is hampered by an extreme chauvenism. For the author it is impossible that any good can come from Italian influence, in fact, for Lyonaise art, for de Tournes and for Salomon, he denies Italian influence. All aspects of French art for Rondot, are elegant or rational; Italian art in contrast is decadent. He applies the same attitude to religion: No Protestant input has created the work of de Tournes or of Bernard Salomon.
1898		Rondot, Natalis. Graveurs sur bois à Lyon au seizième siècle. Paris, Georges Rapilly, 1898.	xx

		Audin-Vial. Dictionnaire
1963		Grangette, B. Salomon, 1963
		Chamberlin
		Inventaire du Fonds Français.

		Bernard Salomon: References: 20th Century [top]

1902		Rondot, Natalie. L'art et les art. à Lyon. 1902. -- reference: Thieme-Becker vol XXIX, p. 354.
1905-1929		Michel, André (1853-1925). Histoire de l'art : depuis les premiers temps chrétiens jusqu'à nos jours / publiée sous la direction de André Michel Conservateur aux Musées nationaux, Professeur à l'École du Louvre, Tome V: La Renaissance dans les pays du Nord, Formation de l'art classique moderne, Première partie. Paris : Armand. Colin, 1905-1929 [1912]. -- reference to B.Salomon from Thieme-Becker XXIX, p. 354 --see esp. series of 1912/13, p. 418?
1907-1950		Thieme, Ulrich (1865-1922) ed. [Thieme-Becker] Allgemeines lexicon der bildenden kunstler... Leipzig, W. Engelmann, 1907-1950 (UCLA N 40 T34a) -- article on B.Salomon, with attributions.
1918-1919		Audin, Marius and Eugène Vial. Dictionnaire des artistes et ouvriers d'art de la France. Lyonnais, Paris, Bibliothèque d'art et archéologie. 1918-19. 2 vols. (IFA)
1922		Johnson, A. F. "Books Printed at Lyons in the Sixteenth Century" [1922] in A.F.Johnson. Selected Essays on Books and Printing, ed. Percy H. Muir, New York, Abner Schram. 1970, pp. 123-145.
1924		Bénézit, Emmanuel. (1854-1920), ed. Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs & graveurs de tous les temps..., Paris, E. Gründ, 1924.
1926		Schneider, René. "Le thème des ruines dans la gravure de la Renaissance," L'amateur d'Estampes, 1926, p. 106-116, 149-153 -Rép d'art, v. 31, 1926, p. 83: The taste for antique ruines created by the Italian Renaissance was propagated by French engravers. The decorative and poetic effect of the ruines transformed the classical landscape. The French engravers looked both at Italian monuments as well as those at home.
1927	x	Audin. Le Thesaurus amicorum de Jean de Tournes. Lyon, 1927.
1927	d	Guigues, Georges. La Magnificence de la superbe et triumphante entree de la noble & antique Cité de Lyon faicte au Treschrestien Roy de France Henry deuxiesme de ce Nom, Et à la Royne Catherine son Espouse le XXIII. de Septembre M.D. XLVIII [1548]. Relations et documents contemporains publié par Georges Guigue, Archiviste de départment du Rhône. A Lyon, Chez le Trésorier-Archiviste de la Société. MCMXXVII [1927]
1927		Lieure, Jules (1866- ). La gravure en France au XVIe siècle. La gravure dans le livre et l'ornement. Paris et Bruxelles, Librairie Nationale d'art et d'histoire, G. Vanoest, Éditeur, 1927. (UCLA *NE 647 L 62 g) -- rab: Although Lieure's brief stylistic and appreciative comments are often perceptive, this book is filled with much misinformation. For Bernard Salomon, for example, he indiscriminately switches the name around, using both forms -- Bernard Salomon and Salomon Bernard -- without noting that the literature preserves two forms. He often does not give the first edition of works. For example, in his chronological treatment -- Salomon's Ovid -- appears for the first time in 1583 under Jean II de Tournes, and not in 1557. The Apocalypse cuts are placed in 1556, and not when they first appeared, etc. On the whole, the information is unreliable, especially today.
1928		Lieure, Jules (1866- ): L'école française de gravure : des origines à la fin du XVIe siècle / par J. Lieure. Paris : La Renaissance du livre, 1928. -- reference: R.Brun, Livre française, p.78: Lieure (p. 116) says Salomon has two styles
1930		Brun, Robert. Le Livre illustré en France au XVIe siècle. Paris, Alcan. 1930. --See 1969 edition.
1932		Schubart, Herta. "Die Bibelillustr. des Bernard Salomon." (Dissertation, Hamburg, 1932). --rab collection: published abstract and microfilm.
1932		Paris. Bibliothèque nationale. Département des estampes. Inventaire du fonds français; graveurs du seizième siècle, Paris, M. Le Garrec, 1932-
1933		Brulé, A. in l'Amateur d'Estampes, 1933, pp. 106-114, 138-148 (12 figs.). -- reference from Inventaire du Fonds Français. -- reference: Rép d'Art, 1936, no 1770. Graphic works by Bernard Salomon and Jean Cousin.
1936		Deonna, W. "Bois gravés de l'anciennt imprimerie de De Tournes a Genève, in Genava, Bulletin du Musée de l'ariana et de la sociéte... vol. XIV, 1936 (275 figs.) -- reference: Rép d'art, 1936, no 1770: from 16th to 19th C, Bernard Salomon (le Petit Bernard), Pierre Eskrich, Georges Reverdy. Continued in 1939.
1937-1938		Cartier, Alfred (b. 1854), Bibliographie des éditions des De Tournes, Imprimeurs Lyonnais, Mise en ordre avec une Introduction et des Appendices par Marius Audin, et une Notice biographique par E. Vial, Paris [and Lyon], Editions des Bibliothèques nationales de France [1937-38]. -- reference from Harvard (Houghton) Cat. 16th C. Fr. #515: Stylistic analysis of Salomon in Cartier, vol I, no. 287 on the attribution of woodcuts for Thevet's Cosmographie de Levant, J.de T. 1554.	xx
1937		Audin, Marius. "Le Petit Bernard," Almanache du Lyonnais, 37, p. 47-51. --Rép d'art 1938, no 2048 bis. [requested copy from BN 16 Jan 78]
1938		Marichal, Robert. "Le Coche de Marguerite de Navarre." Humanisme et Renaissance, vol V (1938), p. 37-99, and 247-296. [serial superceded in 1941 by Bibliothèque d'humanisme et renaissance, Travaux et documents.] --Rép d'art 1938 #2408: Reproduces painted miniatures from a 1541 ms, and the woodcuts from the 1547 edition, the latter very probably being Salomon's work. The ms. miniatures said to be of the school of Fouquet and Bourdichon [rab: ?]...
1939		Deonna, W."Bois gravés de l'ancienne imprimerie de Tournes à Genève. in Genava, Bulletin du Musée de l'ariana et de la sociéte.. vol. XVII (1939), p. 95-104 (27 figs.) -- Rép d'art 1939-41, no. 3053. Continuation of article published in 1936. Woodcuts by Bernard Salomon, Geoffroy Tory, Clément Boussy, and some not identified.
1940-41		Stechow, Wolfgang. "The myth of Philemon and Baucis in art." J.Warb, vol. IV (1940-41), p. 103-113 (19 figs.). --Rép d'art 1942-44 #407 Reproduces paintings engraving and drawings from Bramantino, Taddeo Zuccaro, J. Matheus, B.Salomon, V.Solis, P. van der Borch, Cr. de Passe, M. de Vos, O. van Veen, student of Rubens, J. van der Hocke, Caravaggio, Elsheimer, H. Goudt, Rembrandt.	r
1942		Brun, Robert. "Le livre au XVe et XVIe siècle. Trad. franç., (Le livre), 1942, p. 39-68. --Rép d'art 1942-44 #3163: includes B.Salomon
1946		Marie, Alfred. "Les gravure et ses techniques," Art de France, no. 9 (1946), p. 31-36. -- relating to an exhibition of masterpieces from the Cabinet des Estampes (Paris, B.N.). Works by Salomon (1547) reproduced. (Rép d'Art, 1945-47, no 6332) -- 5 figs, incl. B.Salomon.
1947		Joly, Henry. "L'édition lyonnaise au XVIe siècle." Armour de l'art. 1947, p. 49-55. Includes illustrations by Salomon from the Entry of Henri II, among others. (Rép. d'Art, 1945-47, no. 6336)
1958		Steadman, John M. "Perseus upon Pegasus and Ovid Moralized." The Review of English Studies ..." vol. IX (1958), p. 407-410. (Rép d'Art 1958, no 871 Iconography of Perseus and Bellerophon. About Salomon's sources and his influence."
1959		Davis, Natalie Ann Zemon. "Protestantism and the printing workers of Lyons: A study in the problems of religion and social class during the reformation," 1959 (Ph.D. thesis, University of Michigan.)
1964		Harvard College Library: Department of Printing and Graphic Arts. Catalogue of Books and Manuscripts: Part I: French 16th Century Books, compiled by Ruth Mortimer under the supervision of Philip Hofer and William A. Jackson. Cambridge, Mass., Harvard University Press, 1964. 2 vols.
1964		Praz, Mario. Studies in Seventeenth-Century Imagery, 2nd ed. (Sussidi Eruditi), Rome, Edizioni de Storia e Letteratura, 1964 -- Regarding emblemata.
1965		Eisler, Colin. "Étienne Delaune et les graveurs de son entourage," Oeil, no 132, p. 12+ D'65. --Art Index, v15, 1965-67.	r
1967		Zerner, Henri, "Graveurs lyonnais du XVIe siècle, Oeil, no 150 (1967), p. 12-19 --Jean de Gourmont, Georges Reverdy & Corneille de Lyon, aspects common in their works.
1968		Armstrong, Elizabeth (Tyler). Ronsard and the Age of Gold. London, Cambridge U.P., 1968. --refers to Bernard Salomon
1969		Audin, Maurice. "Bernard Salomon et la collection de bois gravés du Musée de l'Imprimerie à Lyon." Gutenberg Jb." 1969, p. 239-245. -- Rép d'Art, 1969, no. 7001: Among the 595 woodblocks exhibited at the museum since 1966, 390 of them date from the 16th C and have been used to illustrate many books from 1569 to 1802. Salomon's woodblocks are important to this collection. He worked in Lyon from 1540 to 1561.
1969		Brun, Robert. Le Livre français illustré de la Renaissance, Étude suivie du Catalogue des Principaux livres a figures du XVIe siècle. Paris, Édition A. et J. Picard, 1969. [Reissues edition of 1930 under a new title.]	rb
1969		Golson, Lucile M. "Landscape prints and landscapists of the School of Fontainebleau, c. 1543-c. 1570." Gazette des Beaux-Arts, s6, v73: 1969, pp. 95-110. --Art Index, v17 (1968-69) Refers to B.Salomon.
1969		Chalmers, A.P. "Little French Book," MMA Bul. v27, p454, Je'69. -- Art Index, vol. 17 (1968-69) --apocalypse Janot 1547.
1971	f	Paradin, Claude. Devises Heroïques, 1557. Introd. C. N. Smith (Continental Emblem Books, No. 16), Menston, Yorkshire, England: The Scolar Press, 1971. -- Reprint of Claude Paradin, Devises Heroïques, Lyons, de Tournes, 1557, with illustrations by Bernard Salomon.
1972		L'École de Fontainebleau. [Exhibition catalogue] Grand Palais, 17 octobre 1972 - 15 janvier 1973. Éditions des Musée Nationaux, Paris 1972.
1973		Fontainebleau; Art in France 1528-1610. The National Gallery of Canada, Ottawa. [Exhibition: 1 March - 15 April 1973] 2 vols.
1974		Stone, D. "La Métamorphose d'Ovide figurée de Bernard Salomon: quelques sources." Nouv. Estampe, Fr. (1974), no 15, 10-12 (10 figs.) --Rép d'art 1975, no. 2290. Hypnerotomachia Poliphili, Jean Mignon.

			Bernard Salomon: Support Bibliography (not directly Salomon related) [top]
			--may include Lyon history, religious & philosophical issues, literature, historiography, etc. and general works, too--
	for
			Benesch, Otto. The Art of the Renaissance in Northern Europe: Its relation to the contemporary spiritual and intellectual movements. London, Phaidon Press, rev. ed. 1965 (orig. 1945).
	Petrarch		Bett, Henry. Nicholas of Cusa, London: Methuen & Co. Ltd., 1932.
	Petrarch		Cassirer, Ernst. The Individual and the Cosmos in Renaissance Philosophy. Trans. and Introd. Mario Domandi, New York: Barnes & Noble, Inc., cprt. 1963. -- for material on Nicolas Cusanus.
			Christie, R.C. Etienne Dolet, The Martyr of the Renaissance, 1880. --reference: Rondot, BS, p. 39. For info on Lyon of 16th C.
	Petrarch		Copleston, Frederick, S.J. A History of Philosophy. Vol III: Late Mediaeval and Renaissance Philosophy, Part II. The Revival of Platonism to Suárez (Image Books), Garden City, N.Y. Doubleday & Company, Inc., 1963.
			O'Dwyer, E.J. Thomas Frognall Dibdin: Bibliographer & Bibliomaniac Extraordinary. 1776-1847. Pinner: P.L.A., 1967. -- offered by J.Hill, Bookseller, cat. 3, 1980, no. 212.
			Coligny. Protestants et Catholiques en France au XVIe siècle. Exhibition. Paris, Archives Nationales (Hotel de Rohan), October 1972 - January 1973
			Davis, Natalie Zemon. "Printing and the People," Society and Culture in Early Modern France. Stanford University Press, Stanford California, 1975.
			Davis, Natalie Ann Zemon. "Protestantism and the printing workers of Lyons: A study in the problems of religion and social class during the reformation," 1959 (Ph.D. thesis, University of Michigan.)
	Caron		Ehrmann, Jean. "Antoine Caron," The Burlington Magazine, vol. XCII, no. 563, Feb. 1952, p. 34-39.
			Elton, G.R., Refermation Europe: 1517-1559 (The Academy Library, Harper Torchbooks), New York, Harper & Row, 1966.
			Gombrich, E.H., "Icones Symbolicae: Philosophies of Symbolism and their Bearing on Art," in Symbolic Images: Studies in the Art of the Renaissance, London, Phaidon, 1972, reprinted 1975.
			Gombrich, E.H., "Raphael's Stanza della Segnatura and the Nature of its Symbolism," in Symbolic Images: Studies in the Art of the Renaissance, London, Phaidon, 1972, reprinted 1975.
			Gombrich, E.H., "Botticelli's Mythologies: A Study in the Neo-Platonic Symbolism of his Circle," in Symbolic Images: Studies in the Art of the Renaissance, London, Phaidon, 1972, reprinted 1975.
			Gombrich, E.H., "Introduction: Aims and Limits of Iconography," in Symbolic Images: Studies in the Art of the Renaissance, London, Phaidon, 1972, reprinted 1975.
	Scève		Guégan, Bertrand. Oeuvres Poétiques Complètes de Maurice Scève ... Paris: Librairie Garnier Frères, 1927.
			Johnson, A. F. Selected Essays on Books and Printing, ed. Percy H. Muir, New York, Abner Schram. 1970.
			Levy, Michael. High Renaissance (Style and Civilization), Baltimore, Maryland, Penguin Books, 1975.
			Mayor, A. Hyatt. Prints and People: A Social History of Printed Pictures. [New York], The Metropolitan Museum of Art, 1971. -- This edition is unpaginated, references will be by illustration number.
			Muntz, Paul. "Michel-Ange Peintre," Gazette des Beaux-Arts, ser. 2, vol. 13, 1976, p. 119 ff. -- References to Benedetto dal Bene (p. 156 -158). Concerns Michelangelo's Leda, it history in the hands of Antonio Mini and Benedetto dal Bene (his garzone).
			Panofsky, Erwin. Meaning in the Visual Arts, Garden City, Doubleday Anchor Books, 1955.
	Ovid		Panofsky, Erwin. "Chapter VI, Titian and Ovid," in Problems in Titian: Mostly Iconographic. The Wrightsman Lectures... New York University Press, New York, 1969, p. 139 ff.
			Praz, Mario. Studies in Seventeenth-Century Imagery, 2nd ed. (Sussidi Eruditi), Rome, Edizioni de Storia e Letteratura, 1964
			Richter, Jean Paul. The Literary Works of Leonardo da Vinci. 2nd ed. enlarged and revised by Jean Paul Richter and Irma A. Richter, 2 vols., London, Oxford University Press, 1939.
			Roskill, Mark W. Dolce's "Aretino" and Venetian Art Theory of the Cinquecento. New York, New York University Press (for the College Art Association of America), 1968.
	Scève		[Scève, Maurice]. Sixty Poems of Scève, Introd, tr. & comment by Wallace Fowlie., New York: The Swallow Press and William Morrow & Co., 1949. (UCLA PQ 1705 S5A17 1949)
			Sichel, Edit. Women and Men of the French Renaissance. Port Washington, N.Y., Kennikat Press, 1970 (Originally 1901)
			Stone, Donald, Jr. France in the Sixteenth Centurh: A Medieval Society Transformed (A Spectrum Book), Englewood Cliffs, N.J., Prentice Hall, Inc., 1969.
			Tilley, Arthur. "Humanism under Francis I," New York: Barnes & Noble, 1968 (Reprint of ed. of Cambridge University Press, 1922)
			de Tolnay, Charles. Michelangelo. III. The Medici Chapel. Princeton. Princeton University Press, 1970 (orig 1948?) -- in reference to Benedetto del Bene and the Michelangelo Leda, its fate in Lyon.
			Turner, A. Richard. The Vision of Landscape in Renaissance Italy. Princeton, New Jersey, Princeton University Press, 1966.
			Yates, Frances A. The French Academies of the Sixteenth Century, London: The Warburg Institute, University of London, 1947.

			Bernard Salomon' influence: Bibliography on the influence of Salomon, arranged (approximately) by century. [top]
			16th C:
	Petrarch Triumphs/ frescos		Bozo, Dominique. "Les peintures murales du château du Lude," Gaz. Bx-Arts, vol. VI (1965), p. 199-218 (27 figs.) [s6 v66, p. 205-17 O'65: Art Index] -- Rép d'art 1965, # 3137: These paintings are considered the work of an Italian artist working around 1530, but one can now attributed them to a painter working in the circle of Jean Cousin and Antoine Caron working around 1570-80 who was inspired by the woodcuts illustrating the triumphs of Petrarch and the woodcuts of Bernard Salomon. (See also Rép d'art #2329, 2631-2633, 2905)
	in book issustration		Delen, A. J. J. Histoire de la Gravure dans les anciens Pays-Bas & Dans les provinces Belges des Origines jusqu'à la fin du XVIIIe siècle. Deuxième partie: Le XVIe siècle: Les Graveurs-illustrateurs. Paris, Les Editions d'art et d'Histoire, 1934. (UCLA Art *NE 663 D37h pt. 2, no. 1) --Salomon indexed on pp. d82, 92, 93, 159.
	OT/ silver		Hackenbroch, Yvonne. "A mysterious monogram." MMA Bulletin (vol. XIX (1960-61), p. 18-24 (11 fig.) --Rép d'art 1960 #6871: English 16th C. Basin and Ewer with design based on Salomon's Quadrins historiques de la Bible. -- Art Index, v12 1959-61 reproduces Jacobs Dream, Joseph explaining Pharoah's dream, Rebecca at the well, Sacrifice of Isaac.
	OT/ stone relief		Lejskova-Matyášová, Malada. "Renesancni veliéfy 2 olomouckého Lapidária a jejich restaurování.: [Renaissance reliefs of the Lapidari museum of Olomouc and their restoration.] Umení, vol. XII (1964), p. 608-616 (6 figs.) --Rép d'art 1964, #6074: Possible attribution to Giorgio Gialdi. Scenses from the OT after woodcuts of Bernard Salomon.
	in faience		Rondot, Natalie. Les faïenciers italiens à Lyon au XVIe siècle. 1895. reference: N.Rondot, BS, 1897, p. 51, n.1.: ostensibly BS's designs identified on faience ware.
	on pottery		Rondot, Natalie. Les Potiers de terre italiens à Lyon au XVIe siècle, 1892. reference: N.Rondot, BS, 1897, p. 51, n.1. Salomon's designs used on pottery.
	Bible\ embroidery		Standen, Edith A. "A picture for every story." MMA Bul. vol. XV (1956-57), p. 165-175 (14 fig.) --Rép d'art 1957 #6915 (& Art Index vol. 10): Study of silk and woolen embroidery of the 2nd half of the 16th C, that contain designs derived from Bernard Salomon's woodcuts for the Bible.
	OT/ embroidery		Standen, Edity A. "Two Scottish embroideries in the Metropolitan Museum," Connoisseur, vol. CXXXIX (1957), p. 196-200 (10 figs.) -- Rép d'art 1957 #675: 16th C embroidery with the story of Adam and Eve derived from woodcuts by Bernard Salomon.
	in goldsmith work		Weber, Ingrid. "Bildvorlagen für Silberreliefs an Arbeiten von Paul Hüber und Kornelius Erb, heute im Palazzo Pitti und im British Museum. Eine Studie zur Arbeitsweise in nachmittelalterlichen goldschmiedwerkstätten. [Summary in Italian], Mitt. Kunsthist. Inst. Florenz, vol. 14 (1969-70), p. 323-368, 55 fig. -- Rép d'art 1971, #8065. Study of French, German and Dutch engraving (in particular Bernard Salomon, Josh Amman, Etienne Delaune, Hans Bol, Hans Bocksperger the elder, Paulus Flindt the younger who inspired worldwork pieces in Salzbourg from 1587 to 1612. Some pieces carry hallmarks of two Augsburg goldsmiths. (see also Rép d'art #4789-4791).
	OT ceramic		Verdier, Philippe. "A Franch Renaissance enamel by the Master I.C." Reg. Mus. Art Univ. Kansas (Lawrence), vol. II, no. 3, p. 28-44 (9 figs.) -- Rép d'art 1959 #7152: Oval plate representing the Crossing of the Red Sea (ca. 1560) with iconography inspired by a woodcut by Bernard Salomon.
	Ovid. Met/ wood moulds		Weiner, Piroska. "Modèles de moules sculptés en bois. Iparmüuesz. Múz. Évk. (Budapest), vol. IV (1962), p. 7-28 (18 figs.) -- Rép d'art 1962 #493: Bread molds for Hungarian Spiced Bread in the museum of decordative arts in Budapest which derive from woodcuts of Ovid's Metamorphoses by Bernard Salomon (Lyon 1559), but through a Francfort intermediary.



			17th C:
	Ovid, Met/ Rubens		Alpers, Svetlana, The Decoration of the Torre de la Parada (Corpus Rubenianum Ludwig Burchard), London and New York, Phaidon. 1971. See ch II: "The tradition of the illustrated Ovids and Ruben's sketches for the Torre de la Parada."
	OT/ Velasquez		Cederlöf, Olle. "Källorna till 'Las lanzas'" [English summary], Konsthist Tidskr [Sweeden], vol. XXVI (1957), p. 43-62 (14 figs.) --Rép d'art 1957 #7405: Study of Velasquez's "Lances" in the context of 17th C. battles. Includes reprod of B.Salomon (rab: probably Abraham and Melchezedek).
	OT/ Velasquez		Gottlieb, C. "Emblematic sourc for Velazquez's Surrender of Breda," Gazette des Beaux Arts, s6, v67, p. 181 Mr'66. --Art Index, vol. 15 (1965-67)
	Ovid, Met/ Rubens		Held, Julius. "Achelous banquet," Art Quarterly, v. 4 (1941), p. 122-133. -- Rubens painting "Banquet of Achelous" known by the name "Feast of the Gods" is an Ovidian theme the composition of which is based on a woodcut by Bernard Salomon, which contains all the elements of Rubens' work. (Rép. d'Art, 1942-44, no 906.)
	OT/ Velazquez		Jamot, Paul. "Shakespeare et Velazquez," GBA, 1934, I. p. 122-123. 1 fig. -- Rép d'art 1934, p. 123, see #2573: Velazquez's Lances derives from a woodcut by Bernard Salomon from his Quadrins historiques de la Bible by Claude Paradin, Lyon 1553.

	Ovid, Met		Raggio, Olga. "The myth of Prometheus. Its survival and metamorphoses up to the eighteenth century." J.Warb, vol. XXI (1958), p. 44-62, 41 figures, including some by Bernard Salomon. (Rép d'Art, 1958, no. 867)
	in Spanish Baroque pntg		Soria, Martin S. "Some Flemish sources of Baroque painting in Spain." Art Bul. vol. 30 (1948), p. 249-259 (17 fig.) --Rép d'art 1948-9 #8077: Soria believes that the northers sources of Spanish Baroque paintings may be just as important as the Italian sources. He reproduces the woodcuts of Bernard Salomon.
	Ovid Met/ Velazquez		Soria, Martin S. "La fragua de Vulcano" de Velazquez." Arch. español Arte. vol. 28 (1955) p. 142-145 (2 figs.) -- Rép d'art 1952 #10308: A woodcut from Salomon's Ovid Metamorphoses of 1584 could have influenced Velaz. Forge of Vulcan. Also, other examples of engraving as a source for Velaz. Seige at Breda, too[?].
	Ovid, Met		Steadman, John M. "Perseus upon Pegasus and Ovid Moralized." The Review of English Studies ..." vol. IX (1958), p. 407-410. (Rép d'Art 1958, no 871 Iconography of Perseus and Bellerophon. About Salomon's sources and his influence."
			Liverani, Giuseppe. "La tazza da impagliata," Faenza, vol. 29 (1941), p. 11-16 (4 figs.) -- Rép d'art 1948-49, #590: Sources include woodcuts of Bernard Salomon (see B.Rosasco?)
	Ovid, Met/ Poussin		De Tervarent, Guy. "Le veritable sujet du Paysage au Serpent de Poussin à la National Gallery de Londres." Gaz. Bx-Arts, vol. 40 (1952), p. 343-350. -- Rép d'art 1952, #10308: Poussin's landscape with the serpent is actually the confrontation of Cadmus with the serpent. Reproductions in this article incude Bernard Salomon's image for Ovid's Met.




			Other or unidentified
	OT		Connoisseur, 165 p. 82 Je'67. -- Art Index vol. 15 1965-67: Salomon illus: Dance around the golden calf, Moses with the tablets of the Law
	in furniture		Rondot, N. L'Art du bois à Lyon. 1889 -- on furniture?
			Archivo Esp. Arte, v. 27, opp p. 96 April '54 illus: Abraham y Melchisedek (by B.Salomon) presumably as a potential source for Velazquez's Lances.

		Salomon: Authors / Books & Cycles Bibliography [top]
		codes: f=facsimile

Aesop		--note: this section not placed in order, yet--	rb
		Aesop. Fables of Aesop. tr. S.A. Handford. London, Penguin Books, 1964 (orig. 1954).
		Aesop. The Complete Fables. tr. Olivia and Robert Temple, intro. Robert Temple. London, Penguin Books, 1998.	rb
		The Aesop Text Project: http://casweb.cas.ou.edu/lgibbs/aesop/texts/AesopTexts.html (accessed 1/8/02)
		Dalbanne, Claude, and E. Droz. Les Subtiles Fables D'Esope, Lyon, Mathieu Husz, 1486 (Libres a Gravures imprimé a Lyon au XVe siècle.) Notice de J. Bastin, Lyon, M. Audin et Cie, 1926. (UCLAd *Z 241 A 25s) -- tr. Julien Macho	f xx
		Aesop. Macho, Julien, tr. *Esope. Eingeleitet und herausgegeben nach der Edition von 1486 . . . von Beate Hecker* [Description removed by request of author.]
		The Peterborough Psalter in the Royaal Library at Brussels, nos 9961-2. Beatus, page fol. 14. --Reference from O.Benesch (Ren in North), p. 20, 170 n.d 38. for animals and fables in ms and book decoration.
		L'Estrange, Roger. Aesop Fables. Originally 1692. Republished, Everyman's Library, 1906.
		Bewick, Thomas, illus. The Fables of Aesop, with Designs on Wood by Thomas Bewick. New York, Paddington Press, 1975. -- Reprint of the 1818 ed. printed by E. Walter, Newcastle, for T. Bewick.
		Giehlow, K. Kaiser Maximilians I. Gegetbuch. Vienna, 1907. --Reference from O.Benesch (Ren in North), p. 20. Marginal illus have animal and fable motifs.
		Goldschmidt, Adolph (1863-1944). An early manuscript of the Aesop fables of Arianus and related ms. ... (Studies in Manuscript Illusgration), Princeton, 1947 -- Book illustration in Southern France based on BN ms. lat. nouv. acq. 1132. Development of Aesop fables in Gothic ms. French 6th through 15th C. (Morgan 199.5/A2/G)
		L'Ysopet de Lyon. Lyon, "Amis de la Bibliothèque de Lyon," 1923. -- regarding Ms. 57 of the XIII C. in the library of l'Académie des Sciences ... Lyon
		British Museum, Department of Printed Books. Catalogue of Printed Books. Aesop. London, 1883. (Huntington PA 3858 Z 9 B8)
		de Marinis, T. Notes sur des livres à figures imprimé en Italie au XVe et XVIe siècle, France-Italie, October,1913 p. 40-45 --regarding the Fables d'Esope, Bologna, H. Nani, 1444
		Miguel y Planas, R. "Estudi històrich y crítich sobre l'Antique Novela Catalana," in Barcelone. Bibliofilia, Sept 1912, col. 163-196. --Rép d'art 1913, p. 266 #4916: Titles, ornaments and woodcuts of the former Catalan Aesop tradition. Iconographic note in different series of woodcuts executed in conjunction with these editions.
		Rosenthal, Erwin. "Zu dem Anfängen der Holzschnitt-Illustration in Ulm," Monatshefte für Kunstwissenschaft, May, 1913, p. 185-199. Rép d'art, 1913 #4324: The two major works illustrated with woodcuts that appeared in Ulm between 1470 and 1480 are Boccaccio's De claris mulieribus, edited by Steinhôwel in 1474, which contains the best German illustrations produced until that time and the Aesop [also] edited by Steinhôwel, probably in 1470 containing about 200 illustrations from which one can find antique types and also some analogous to drawings from the period from 1400 to 1450. These include landscapes and intimate scenes that have a personal accent. The Aesop and the Boccaccio are probably not the work of a single master. The 55 illustrations of the Rodericus Zamorensis form an intermediary between the two.
		Carnes, Pack, (1939- ) Heinrich Steinhöwel's Esopus and the corpus of Aesopica in sixteenth-century Germany 1973. -- available as UMI dissertation on-line: http://wwwlib.umi.com/pqdd2/search/do?query=au%28Carnes%2C%20Pack%2C%29%20and%20da%281973%29 (UCLA LD 791.9 G4C216 Ph.D. Thesis)
		Leonhardt, K. Friedrich and Helmuth Th. Bossert. "Studien zur Hausbuchmeisterfrage," Zeitschrift für bildende Kunst. May 1912, p. 191-203. -- Rép d'art 1912, p. 131, #2278: includes the woodcuts for the illustration of the Ulm Aesop.
		Blunt, Anthony. "Poussin and Aesop," JWarb. 29:436-7, 1966. --Art Index, vol. 15, p. 8 11/65 - 10/67
		Mandowsky, E. "Pirro Ligorio's illustrations to Aesop's fables," JWarb. 24:327-31, July 1961 -- Art Index, vol. 13, p. 8 11/61 - 10/63.
		Goldschmidt, Adolph (1863-1944) An early manuscript of the Aesop fables of Avianus and related manuscripts. Princeton, Princeton University Press, 1947.-- reviewed: American J. Archaeol, 52:420-1, Apr' 1948, Mag. Art. 40:248 Oct 1947.
		Gardner, B. "Old illustrations," Apollo, 33:91-3, April, 1941.
		Avery, M. "Miniatures of the Fables of Bidpal and of the Life of Aesop in the Pierpont Morgan Library. Art Bulletin, 23:103-16 July 1941.
		Lenaghan, R. T., ed. and notes. Caxton's Aesop, Cambridge, Massachusetts, Harvard University Press, 1967.	rb
		Aesop through the ages: A Coloring Book of Aesop Images in the Pierpont Morgan Library, New York, Pierpont Morgan Library, 1995.	rb
		Aesop. The Medici Aesop. New York Public Library: Spencer Collection, Ms. 50. Everett Fahy, introd. Bernard McTigue, trans., New York, Harry N. Abrams, 1989.	rb
		Küster, Christian Ludwig. "Illustrierte Aesop-Ausgaben des 15. und 16. Jahrunderts. [Ph. D. Dissertation] Universitát Hamburg. 1970 -- resource: Fahy. Medici Aesop.
		Aesopus. Fabulae. French XIII C. ms. "L'Ysopet de Lyon." Lyon, 1923. [Coll. Morgan Library]
		McKendry, John J. Aesop: Five Centuries of Illustrated Fables, The Metropolitan Museum of Art, Greenwich, Connecticus, New York Graphic Society, 1964
		Weil, Ernst. Der Ulmer Holzschnitt Im 15 Jahrhundert, Berlin, 1923. -- reference: Lenaghan, Caxton's Aesop, p. 23.
		Hodnett, Edward. English Woodcuts, 1480-1535, Oxford, 1935. -- reference: Lenaghan, Caxton's Aesop, p. 23: see nos 28-213 for Caxton's woodcuts.
		Voulliéme, Ernst. [facsimile of] Esopus, Augsburg 1477, Potsdam, 1922. -- reference: Lenaghan, Caxton's Aesop, p. 24.
		Perry, Edwin Ben, ed. and trans. Babrius and Phaedrus (The Loeb Classical Library, 436), Harvard University Press, Cambridge, MA. 1965.	rb
		Gibbs, Laura. Aesop Text Project. World Wide Web Pages at http://casweb.cas.ou.edu/lgibbs/aesop/texts/AesopTexts.html University of Oklahoma. Web pages active February 2002. -- The most inclusive and useful guide to Aesopica on the web.



Marot		Mayer, C.A. Bibliographie des Oeuvres de Clément Marot, Vol. II, Éditions. Genève, E. Droz, 1954.

Ovid Met		Alpers, Svetlana, The Decoration of the Torre de la Parada (Corpus Rubenianum Ludwig Burchard), London and New York, Phaidon. 1971. See ch II: "The tradition of the illustrated Ovids and Ruben's sketches for the Torre de la Parada."
		Duplessis, M. Georges, Conservateur du Département des estampes de la Bibliothèque nationale. Essai Bibliographiques sur les différentes éditions des Oeuvres d'Ovide ornées de planches publiées aux XVe et XVIe siècles. Paris, Livrairie Vve Léon Techener, 1889.
		Panofsky, Erwin. "Chapter VI, Titian and Ovid," in Problems in Titian: Mostly Iconographic. The Wrightsman Lectures... New York University Press, New York, 1969, p. 139 ff.
		Stechow, Wolfgang. "The myth of Philemon and Baucis in art." J.Warb, vol. IV (1940-41), p. 103-113 (19 figs.). --Rép d'art 1942-44 #407 Reproduces paintings engraving and drawings from Bramantino, Taddeo Zuccaro, J. Matheus, B.Salomon, V.Solis, P. van der Borch, Cr. de Passe, M. de Vos, O. van Veen, student of Rubens, J. van der Hocke, Caravaggio, Elsheimer, H. Goudt, Rembrandt.
		Stone, D. "La Métamorphose d'Ovide figurée de Bernard Salomon: quelques sources." Nouv. Estampe, Fr. (1974), no 15, 10-12 (10 figs.) --Rép d'art 1975, no. 2290. Hypnerotomachia Poliphili, Jean Mignon.

Paradin	f	Paradin, Claude. Devises Heroïques, 1557. Introd. C. N. Smith (Continental Emblem Books, No. 16), Menston, Yorkshire, England: The Scolar Press, 1971. -- Reprint of Claude Paradin, Devises Heroïques, Lyons, de Tournes, 1557, with illustrations by Bernard Salomon.

Petrarch		Callmann, Ellen, Apollonio di Giovanni (Oxford Studies in the History of Art and Architecture), Oxford, Clarendon Press, 1974.
		Müntz, Eugene. "Les Triomphes de Petrarch," La Bibliofilia. vol. II, Apr/May 1900, p. 1-23.
	r	Hind, Arthur M. Early Italian Engraving: A critical Catalogue with complete reproduction of all the prints described. Published for M. Knoedler & Company, New York by Bernard Quaritch, Ltd. 1938
		Yates, Frances A. "The Triumph of Chastity," in Astraea: The Imperial Theme in the Sixteenth Century. London and Boston, Routledge & Kegan Paul. 1975.

Scève		Coleman, Dorothy Gabe. Maurice Scève: Poet of Love; tradition and originality. Cambridge, Cambridge University Press, 1975.
		Guégan, Bertrand. Oeuvres Poétiques Complètes de Maurice Scève ... Paris: Librairie Garnier Frères, 1927.
		Mulhauser, Ruth. Maurice Scève (Twayne's World Authors Series: A Survey of the World's Literature), Boston: Twayne Publishers (G.K. Hall & Co.), 1977.
		[Scève, Maurice]. Sixty Poems of Scève, Introd, tr. & comment by Wallace Fowlie., New York: The Swallow Press and William Morrow & Co., 1949. (UCLA PQ 1705 S5A17 1949)

	Issues of style and other 16th C. Artists related to 16th C. France and Salomon [top]
Jean Cousin	Didot, Ambroise Firmin (1790-1876). Étude sur Jean Cousin, suivre de notices sur Jean Leclerc et Pierre Woeiriot. Paris, A.F.Didot, 1872.
Antoine Caron	Ehrmann, Jean. "Antoine Caron," The Burlington Magazine, vol. XCII, no. 563, Feb. 1952, p. 34-39.
Geofroy Tory	Johnson, A. F. "Geofroy Tory," [1928] in A. F. Johnson. Selected Essays on Books and Printing, ed. Percy H. Muir. Amsterdam, Van Gendt & Co., 1970, pp 166-189.
	Johnson, A. F. "The 'Antwerp' Ornaments," [1954] in A. F. Johnson. Selected Essays on Books and Printing, ed. Percy H. Muir. Amsterdam, Van Gendt & Co., 1970, pp 196-201.
	Johnson, A. F. "Title-pages: Their forms and development," [1928] in A. F. Johnson. Selected Essays on Books and Printing, ed. Percy H. Muir. Amsterdam, Van Gendt & Co., 1970, pp. 287-297
	Johnson, A. F. "Basle Ornaments in Paris Books, 1519-36," [1927] in A. F. Johnson. Selected Essays on Books and Printing, ed. Percy H. Muir. Amsterdam, Van Gendt & Co., 1970, pp. 231 ff.
	Johnson, A. F. "Books Printed at Lyons in the Sixteenth Century" [1922] in A.F.Johnson. Selected Essays on Books and Printing, ed. Percy H. Muir, New York, Abner Schram. 1970, pp. 123-145.
Dürer	Kurth, Willi. The Complete Woodcuts of Albrecht Dürer. New York, Bonanza Books, 1946.
Geofroy Tory	Orth, Myra Dickman. "Geofroy Tory: The Illustrations and decorations in his printed books of hours." Dissertation, Institute of Fine Arts, New York University, February 1964 (Masters of Arts)
Dürer	Panofsky, Erwin. The Life and Art of Albrecht Dürer. Princeton, N.J., Princeton University Press, 1955 (4th ed.)
	Rondot, Natalis. Graveurs sur bois à Lyon au seizième siècle. Paris, Georges Rapilly, 1898.	xx
Giulio Clovio	Smith, Webster. "Giulio Clovio and the "Maniera de Figure piccole"," Art Bulletin, vol. 46 (1964), p. 395-401.

		Dictionaries, Bibliographies, Encyclopedias, Catalogues, Compendia, History surveys, etc. [top]
		codes: ex=exhibition catalogue, ns=not seen,

1803-1821		Bartsch, Adam. Le peintre-graveur ... Vienne, Degen, 1803-21. and subsequent editions.
1814		Brunet, Jacques Charles, 1780-1867. Manuel du libraire et de l'amateur de livres, contenant 1o. Un nouveau dictionnaire bibliographique ... 2o. Une table en forme de catalogue raisonné ... 2. éd. Paris, Brunet, 1814. (LOC). Continuous editions: 3rd, 1820; 5th, 1850-55; 5th ed., reprint: 1990 by: Slatkine Reprints,Genève 1990. -- Edition consulted: 5th, Berlin, Fraenkel & Cie. Jos. Altmann, 1921 (6 vols. + 3 vols. supp. (UCLA Ref Z 1011 B83 1921)
1851		Didot, Ambroise Firmin. Essai sur la typographie, par M. Ambroise Firmin Didot. Extrait du tome XXVI de L'encyclopédie Moderne. Paris, Typographie de Firmin Didot frères, Imprimeurs de L'institut de France, Rue Jacob, 56. 1851
1860-1864		Passavant, Johann David (1787--1861). Le peintre-graveur... Leipsic, Weigel, 1860-64. -- supplements Adam Bartsch. -- Chamberlind #1548. (UCLA Art NE 90 P26p)
1880		D[ésiré] Guilmard. Les Maîtres Ornemanistes, Dessinateurs, Peintres, Architectes, Sculpteurs et Graveurs. Écoles française, Italienne, Allemande et de Pays-Bas (Flamande & Hollandaise), Paris, E. Plon, 1880, 2 vols. -- cites Bernard Salomon as Salomon (Bernard), p. 20, n. 7. vol. 1. (UCLA Art -- Grunewald Coll.)
1887		Bouchot, Henri. The Printed Book: Its history, illustration and adornment from the days of Gutenberg to the present time. tr. Edward C. Bigmore. London, H. Grevel and Co., 1887. (UCLA Z4 B66 l E
1889		Duplessis, M. Georges, Conservateur du Département des estampes de la Bibliothèque nationale. Essai Bibliographiques sur les différentes éditions des Oeuvres d'Ovide ornées de planches publiées aux XVe et XVIe siècles. Paris, Livrairie Vve Léon Techener, 1889.
1889		Rondot, N. L'Art du bois à Lyon. 1889 -- on furniture?
1895-1921		Baudrier, H.L. Bibliographie lyonnaise. Sér 1-12. 12 vols. Lyons. 1895-1921 [ I - 1895, II - 1896, III -1897, IV - 1899, V - 1901, VI - 1904, VII - 1908, VIII - 1910, IX - 1912, X - 1913, XI - 1914, XII - 1921] -- 1964 reimpression (by F. de Nobele) adds an index volume.
1898		Omont, H. "Catalogue des éditions de Denys Janot, Libraire Parisien (1529-1545)" in Mémoires de la Société de l'Histoire de Paris et de	xx
1972		The Oxford Classical Dictionary. N.G.L. Hammond and H.H. Scullard, eds. 2nd ed. Oxford, Clarendon Press, 1972.
1972	ex	L'École de Fontainebleau. [Exhibition catalogue] Grand Palais, 17 octobre 1972 - 15 janvier 1973. Éditions des Musée Nationaux, Paris 1972.
1973		Blumenthal, Joseph (introd.). Art of the Printed Book, 1455-1955: Masterpieces of typography through five centuries from the collections of the Pierpont Morgan Library, New York. The Pierpont Morgan Library, N.Y. 1973
1973	ex	Fontainebleau; Art in France 1528-1610. The National Gallery of Canada, Ottawa. [Exhibition: 1 March - 15 April 1973] 2 vols.
1973	ex	Konrad Oberhuber and Dean Walker. Sixteenth Century Italian Drawings from the Collection of Janos Scholz. National Gallery of Art, Washington, D.C., The Pierpont Morgan Library, New York. (Exhibition: Washington, Sept 23 - Nov 25, 1973, New York, Dec 12, 1973 - Feb 3, 1974.
1974		Harvard College Library, Department of Printing and Graphic Arts, Catalogue of Books and Manuscripts. Part II: Italian 16th Century Books. Compiled by Ruth Mortimer. 2 vols., The Belknap Press of Harvard University Press, Cambridge, Massachusetts, 1974
1976	ex	Feinblatt, Ebria. Old Master Drawings from American Collections (Exhibition: April 29 - June 13, 1976), Los Angeles County Museum of Art in association with Allanheld & Schram, New York, 1976.
1992-	ns	Gültlingen, Sybille von. Bibliographie des livres imprimés à Lyon au seizième siècle / Sybille von Gültlingen, avec la collaboration de René Badagos. Baden-Baden : V. Koerner, 1992- (Series: NYPL has 1 - 7)

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